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I would bring him water, I would make him laugh, I would rub his back. He was wearing all these different hats, and his own money was at stake in this film.
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I remember the pressures being so heavy on Ed. Lee took care of Pollock, even when he was in distress, so I planted myself in a place - willingly, not being asked to - to make sure Ed was taken care of on set.
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Most interestingly, what happened was we developed a symbiotic relationship. It might have come down to we had a working relationship previously and Ed knew my ethic. When you get to that point, you’re equally good. Obviously we each offer something different. I feel like maybe Judy Davis might have been up for it. You’re offered coffee and you take it and hope they don’t notice that your hand is shaking.Īnd you’re doing all of this already knowing there’s another actress he also has in mind? His family probably offered me something to eat, and I’m sure I didn’t want to eat it because I was sure I would slob it all over my face. It was like from a movie, but there was a rusticness to it, a reality to it. I’ll never forget that.Īll of it was so larger-than-life. While it may be completely accurate, people have to listen to that for two hours, so we need to find a way so that the accent doesn’t draw as much attention to itself.” So I did. After about ten minutes, Ed says, “Marcia Gay, what are you doing?” I said, “Ed, I listened to the accent and I’m really ready to show you that I can do it!” He goes, “We have to stop it immediately. Ed answers the door like, “Hey, Marcia,” and I say, “Hello, Ed, how are you?” I was completely in character. I might have even had my hair in a certain way, wearing some billowy gown. I’d been looking at Lee Krasner tapes and studying the accent from Queens, and there I am. I loved to tease him and poke fun at him, and we had a friggin’ blast onstage together. Ed and I had worked together before on a play called Simpatico and had developed a kind of big-brother/little-sister relationship because he was such a wonderful grump. They were up in one of the canyons, so already you’re nervous.
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Well, I drove up to Ed’s house, and first of all, going to a movie star’s house - it was Ed and Amy and they had a kid. That one is seared into my brain forever. By then, I feel like that might have been my third. That first audition was one of those auditions with a casting director, and then there was another audition at Ed’s house. I don’t even know if he was auditioning her, but in my mind, she had a lot of the edge and sharpness of Lee. It’s so sharp in my mind because A) It was something that I wanted so much and B) I had another actress that I was sure he was going to hire.
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What do you remember about that process?Įverything. He’s said he put you through several rounds of auditions before you got the part. To commemorate Harden’s unanticipated 20-year-old victory and the “magical” night that followed, we talked about the road to the Oscars, what the milestone meant to her, and the one nominee who wasn’t so happy with her win. It paid off: Her performance is the heart of the film, which marked Harris’s directorial debut. “I am that girl who would say, ‘I don’t understand why a red dot in the middle of a white painting is considered art,’ so I wanted to learn why,” she explained during a recent phone conversation. To portray Lee Krasner, the tough-minded painter who married Jackson Pollock shortly before he produced his most famous works, Harden studied the history of abstract expressionism. “What a thrill,” Harden said when she arrived at the podium. The other women in the category - Judi Dench ( Chocolat), Kate Hudson ( Almost Famous), Frances McDormand ( Almost Famous), and Julie Walters ( Billy Elliot) - had higher profiles, and so did their movies. She hadn’t been nominated for a Golden Globe or Screen Actors Guild Award that year, and Pollock, for which she won, was an intimate Ed Harris passion project that opened nationwide a mere two days before the ceremony. When Nicolas Cage declared Marcia Gay Harden the winner of the Best Supporting Actress Oscar in 2001, no one could believe it - especially not Marcia Gay Harden. Photo-Illustration: by Vulture Photo by Sony Pictures Classics